Deconstruction of Language and Expression in Kiarostami’s Cinema A case study on “Shirin”

This article aims to study the significant language and expression methods of Abbas Kiarostami’s cinema by analyzing context structure a movie titled Shirin, focusing on its narrative internal elements in deconstructive manner .The is masterpiece which life’s passion intermingled with death, nothingness, despair. Analyzing Shirin an attempt rediscover human nature relation truth beneath life. Through deconstruction, we can comprehend as anti-narrative, actors turn into non-actors, audience becomes active actor, director be identified sole primary creator picture. A criticism from within itself taken consideration this feature. The current paper seeks find answer following questions: How are achieved movie? content conveyed audience, how viewer’s position explained process perception understanding film? conducted descriptive-analytical method improve art-house cinema. Drawing opinions Jacques Derrida, results indicate that film while presenting both suffering love fluid, dynamic focuses many characters Nizami’s including along their personal inner stories. movie’s conveys new perspective modifying deconstructing dual confrontations form reveals distinguishing aspects creating meaning transforming viewer his role cinematic discourse